SKU: 7194720047

Warm Nordic Dwell Fauteuil

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Description

Warm Nordic Dwell FauteuilOmschrijving De unieke Dwell fauteuil is een klassieke fauteuil, ontworpen in 1956 door de veelgeprezen Deense architect Hans Olsen. De Dwell kenmerkt zich vooral aan het eeuwige jaren 50 ontwerp met armleuningen in een organisch ontwerp die je uitnodigen om lekker te blijven zitten. Daarnaast dragen de slanke, ronde massief houten poten bij aan een lichte, subtiele en vooral eenvoudig look in je interieur. Hoewel de Dwell fauteuil op zichzelf een

Omschrijving

De unieke Dwell fauteuil is een klassieke fauteuil, ontworpen in 1956 door de veelgeprezen Deense architect Hans Olsen. De Dwell kenmerkt zich vooral aan het eeuwige jaren 50 ontwerp met armleuningen in een organisch ontwerp die je uitnodigen om lekker te blijven zitten. Daarnaast dragen de slanke, ronde massief houten poten bij aan een lichte, subtiele en vooral eenvoudig look in je interieur. Hoewel de Dwell fauteuil op zichzelf een mooi kenmerkend designelement is, is hij ook eenvoudig te combineren met een mooie designer bank. De Dwell is volledig gestoffeerd en verkrijgbaar in meerdere uitvoeringen. Denk hierbij aan klassiek leer of een lichtere uitstraling met stof, of ga voor de uiterst populaire bouclé stof dat de fauteuil een extra vleugje karakter geeft. Samengevat, de Dwell is een prachtige karakteristieke fauteuil uit de jaren '50 met klassieke en comfortabele uitstraling.

Merk & designer

De opmerkelijke ontwerpen van Hans Olsen uit de jaren '50 zijn levendige voorbeelden van de prachtige diversiteit van het Deense modernisme. Deze Deense architect en industrieel ontwerper heeft gestudeerd aan de Academy of Fine Arts, maar koos uiteindelijk voor een meer speelse en experimentele benadering voor zijn meubelontwerpen. Hans Olsen legt een nadruk op het uitdagen van de moderne productietechnieken in zijn tijd en haalde veel van zijn inspiratie uit de mogelijkheden rondom houtbewerking. Het weigeren van compromissen op het gebied van comfort, functionaliteit en esthetiek is het handelsmerk van Hans Olsen. Zijn iconische ontwerpen trekken vandaag de dag nog net zo veel aandacht als vroeger.

Het Deense merk Warm Nordic houdt nu het nalatenschap van Hans Olsen hoog, met goedkeuring van zijn familie. Warm Nordic is een ambitieus designmerk, verankerd in de Scandinavische designgeschiedenis met een tijdloze stijl die je inspireert de kleine dingen in het leven te waarderen. Het universum van Warm Nordic biedt een kleurrijke en charmante collectie meubels, lampen en accessoires die barsten van persoonlijkheid en de tijdloze Scandinavische geest weerspiegelen.


Specificaties

Afmetingen
Breedte 68 cm
Diepte 76 cm
Hoogte 73 cm
Zithoogte 40 cm
Gewicht 19 kg
Algemene specificaties
Productnummer 2201118
2201073
2201072
2201177
EAN 5714081012009
5714081006244
5714081006237
5714081013402
Ontworpen in 1956
Armleuning Ja
Kleur Cream
Crème
Minty grey
Mintgrijs
Minty grey/blue
Mintgrijs/donkerblauw
Camel leather
Bruin
Materiaal onderstel Gerookt massief eikenhout
Materiaal zitting & rugleuning Cream
Barnum 24
Minty grey
Merit 014
Minty grey/blue
Merit 014
Rewool 768
Camel leather
Silk 0250

Verzending & retour

De levertijd van de Dwell bedraagt 2 tot 3 weken. Het kan echter voorkomen dat de Dwell niet op voorraad is. In dat geval bedraagt de levertijd maximaal 7 tot 8 weken en zullen we dit tijdig met je communiceren. De retourtermijn bedraagt 14 dagen.

Garantie

De garantieperiode bedraagt 2 jaar.

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SKU: 7194720047

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4.6 ★★★★★
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Verified Purchase
Harrison Nowak
San Leandro, US
★★★★★ 4
Good sequel but not as good as the original.
Format: Paperback
Pretty good read only down side is it doesn’t quite live up to Long Halloween.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 18, 2026
K
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Kurt
Lexington, US
★★★★★ 5
Great Sequel to Long Halloween
Format: Paperback
This takes all of the great elements of the Long Halloween and keeps it going. The two of those books together is a great story telling. Ticks all the boxes of a great Batman book. If you like this and Long Halloween check out The Penguin show on HBO Max. and if you like The Penguin but haven't read these two books you should since the show pulls a lot of influence from them.
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Reviewed in the United States on November 22, 2024
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kindlemom1 (My Guilty Obsession Blog)
Fort Morgan, US
★★★★★ 5
Worth the price!
Format: Paperback
Great set!
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Reviewed in the United States on November 8, 2025
J
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John Hall
Houston, US
★★★★★ 5
The Robin Origin Tale We Needed
Format: Paperback
Hot off The Long Halloween Jeph Loeb and Tim Sale return for another murder mystery. This is a direct sequel and follows the aftermath of The Long Halloween. The art is stellar and the story is deep and dark. The trinity of Batman, Dent and Gordon is gone and the isolation is real. At the heart of it, life goes on. Sofia Falcone is back and ready to get revenge. Meanwhile, Dick Grayson's about to go through the darkest chapter of his life. There's a surprise villain who makes a chilling introduction and much more. If you wanted more after Batman: Year One and The Long Halloween, this is the book for you.
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Reviewed in the United States on May 22, 2025
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The Blue Thunder Bomb
Omaha, US
★★★★★ 5
The Best BATMAN Tale since YEAR ONE.
When I first started reading Scott Snyder's run on DETECTIVE COMICS, I was unfamiliar with his work. It seemed like they had just grabbed a new name after arcs done by distinguished writers such as Grant Morrison (which I actually thought was terrible during his RIP arc), Greg Rucka (who did a brilliant job with bringing the character of Batwoman into the fold), and Paul Dini (whose work ranged from not great to just about perfect). Snyder just seemed like a Johnny-Come-Lately, and the previous arc on DETECTIVE had been particularly disappointing, but alas I had faith that another solid arc was due for the Darkknight Detective, so I kept collecting. Nothing could have made me happier, since Snyder and his partners in crime, artists Jock and Francesco Francavilla had crafted the most solid, unified and smartest Batman tale since Frank Miller and David Mazzucchelli's eponymous BATMAN: YEAR ONE. Not to get too bogged down in plot detail, but essentially, the "Black Mirror" arc begins with Dick Grayson as The Batman (since Bruce Wayne was too busy fighting his way through time... argh...) and he's closing in on a secret auction where 'collectibles' of Gotham's most notorious villains are being sold to an elite crowd of wealthy degenerates, such as Scarecrow's fear gas and the crowbar actually used to beat Jason Todd almost to death. The main villain of the piece is hardly Batman's most powerful enemy, but it does leave some psychic scars on Dick. Next Dick is forced to deal with a dead woman found in an office building. Hardly worth Batman's specific attention, but what is is that the woman's body was found inside a dead killer whale's mouth in an office building. Making matters more complicated is that the woman this murder is sending a message to is actually the daughter of Tony Zucco, the gangster responsible for the death of Dick's parents. While these stories are exciting, well-crafted and beautifully rendered by Jock, we enter a much more personal tale of Commissioner Gordon: the return of his son James Jr., who we haven't seen much of at all in his life. Apparently, James Jr. is a psychotic who is taking a new anti-psychotic medication and hopes to return back to society in some way. This becomes a very personal tale for the Gordon family, including Gordon's ex-wife Barbara and of course his daughter Barbara, formerly Batgirl and now the wheelchair-confined information gatherer Oracle. These interludes are illustrated by the brilliant Francavilla, whose every page looks like it's suitable for framing. Unfortunately for everyone involved, Jr. is not exactly what he seems to be and this leads to a small-scale but highly emotionally charged finale. Scott Snyder did several things in this book that very few before him were able to do successfully. First and foremost, he captured the essence of Dick Grayson bearing the responsibility of being Batman. It's not something he shirks from, but he does feel out of place living in Bruce's penthouse and basically taking the mantle of Batman is no small matter. He is more emotional than Bruce and has more issues with his own fears. Second is that he's one of the few writers to really get the essence of Batman being a detective. While Dick is not as brilliant as Bruce, he was trained by the best, and Batman is not just a machine of brute force dispensing justice with his fists and cool gadgets; he's also considered the world's greatest detective and it's always exciting to see an author with a good handle on that aspect of Batman. Third is Snyder's awareness of Gotham not just being a city, but as being an integral character in the adventures of Batman. There's a darkness to the city that the good people strive to rise above, which is why the partnership of Batman and Jim Gordon has been the lifeline of Gotham's survival. Also on wonderful display here is Snyder's understanding of the supporting cast. He gives all of them equal and necessary life in the story, and has a superb handle on their individual characters. In the few years since Snyder started in this business, first gaining prominence on AMERICAN VAMPIRE (which is another breath of fresh air to a dying genre) and then his work on DETECTIVE gaining him even greater accolades, he has become possibly the best writer currently at DC. Several people, including myself have heralded him as the next Alan Moore. He has an understanding of character, dialogue and structure that is unusual and continually striking. He's been the standout star of DC's "New 52", continuing his work on Batman with as well as bringing back one of DC's greatest horror titles, . He has also continued to establish himself as one of comic's premier horror writers by doing the best horror comic in years over at Image Comics called (you can find my review of that book via that link), as well as doing a mini-event that explores the beginnings of Gotham City in . THE BLACK MIRROR is a Batman classic that people will still be discussing in years to come, as well as his other work in the field. I couldn't suggest more highly picking up any of his books. It doesn't get much better.
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Reviewed in the United States on May 12, 2012

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